An in depth remembering and re-creation of the famous 1957 production of Waiting For Godot--so famously used by writer Martin Esslin as the introduction to his important work: The Theater of the Absurd. Also covers some little known German performances in which its suggested that former Nazis performed Waiting For Godot at a Jewish Cultural Building in 1956 (new finding). Also covers Beckett's study locale across the street from the Sante prison and the revelation from James Knowlson's Beckett biography Damned To Fame provides the last startling statement on Beckett, the play, and prisoners.